Wednesday, 21 April 2010

Proof, if proof were needed...

...that something needs to be done. Seriously.

Behind this tower is a wardrobe.

To the right of the tower is my side of the bed.

To the left of the tower is my shoes, all neatly packed away, that I can't quite get to.

At the foot of the tower is more stash which, thankfully, you can't see. Same with the junk on the bed.

All I want is a tidy house, a tidy bedroom, a tidy stash.

A tidy life.

Not going to happen. (Sigh.) On with the motley.

Sunday, 18 April 2010

There's a Crocodile in the Water...

...and no-one believed me.

The flight to Basle was thankfully uneventful. Security thoroughly checked my hand-luggage - why yes, as a matter of fact I did pack my bag myself, the Butler being on his day off - and casually waited until we were airborne before reaching for my contraband stash...of knitting.

It must have been my body language or something, but no-one batted an eyelid when I started work on my little sock. Nobody seemed to think it was unusual or dangerous or - perish the thought - forbidden. Either that, or one little sock on a 2.75mm/40cm circular metal needle is considered less of a terrorist threat than say, a lace shawl or (gulp) a sweater on two straight needles. It was the same on the return flight, although the pilot was kind enough to circle Heathrow a couple of times, no doubt to give me time to divide my stitches and make a start on the heel flap.

Then, on from Basle to Freiburg, Germany, me tagging along behind Studley, who was there to work. I was there to see what the dear man does for a living, and to meet his friends (who are all lovely by the way). I must say, the Germans know how to have a good time. Cheers to Chris Cravens, formerly of Preston, currently the DJ at the Swamp, a great bar with a cracking atmosphere, but not for the non-smokers among us. So good was the hospitality, the crocodile in the canal in the centre of town (see above) did come a bit of a surprise. But why is it there? I asked F.

"Because it's funny", was his reply. Fair enough.

I believe no trip to Freiburg is complete without a visit to Das Kartoffelhause. This restaurant is a cathedral to the humble potato. What these people don't know about how to cook a potato is frankly not worth knowing. They boil them, fry them, chip and mash them, bake and croquette them. They headline every dish on the menu: "Potato with Meat, Potato with Fish, and so it goes on.

Portions were generous (as was the service). I ordered a meatloaf which appeared to have the taste and texture of SPAM, if you like that sort of thing. The waitress brought a sauce to go with it (knowing the British have a thing for gravy) which was like a warm brown sauce. Meatloaf is different all over the world, and this was new to me. I like new, I like different. The mash that came with it was to die for.


(Note the unusual gargoyle found on the side of the Munster. Love it.)

The shops were closed for most of our short visit, but on Monday morning bright and early, we found ourselves at the Welt der Handarbeit, Salzstrase 37-39, 79098 Freiburg. A couple of balls of Regia World sock yarn in both GB and GDR national colours later, and we were dashing for our flight.

A huge thanks to F (thinking of you and we send our love) and K (K, we shall always be friends) for looking after us so wonderfully well, to D and U, who could argue the merits of croquette potatoes over roasties all evening, and to the beautiful town of Freiburg. A beautiful town with it's own brewery. What's not for a girl to love?

Wednesday, 7 April 2010

Stash. I Haz It.

Hand Wash Towers is currently a hot bed of activity. Spring has sprung and with it the need to clean and reorganize, re-prioritize and basically get my life and home into some kind of order. Spring cleaning this year coincides with the annual "Yarn-Toss", a necessary endeavour to ensure that my stash remains moth-free and useable.

This year, however, I have to re-organize my storage space, which meant that my whole stash had be be brought out of all its' hidey holes and stored separately in its own collection of plastic crates, bought from Ikea especially for the purpose. While checking for moths and nasties, I took the time to list what I had (or most of it ) on Ravelry to help me keep track.

While Studley knows I have a stash, and is even known to contribute to it once in a while, he had no idea of the actual quantity of yarn hidden around the place. He came home, walked into the bedroom and silently surveyed the tower of plastic crates standing some six feet high in front of him, with more boxes and bags of the fondlesome stuff sitting at his feet.

I must admit, I was a little worried at how Studley might react to seeing the stash in all its entirety.

"Babe, " he said at last, "you might need a couple more crates." Is that it? That's all?

Apparently, Studley has no problem with it, and he calmly explained why.

  1. Yarn may not always remain yarn. It may become sweaters, hats, scarves, socks, etc. Therefore it will never just sit there in the tower of crates forever.
  2. Yarn doesn't go off and smell bad.
  3. Yarn is not pointy, or sharp. It is in itself not dangerous, and does not bite or growl, or need a litter tray, or even a daily walk in the park. It also does not need expensive medical treatment.
  4. The yarn, however much you pay for it, gives more hours of pleasure than the same amount spent on other entertainment, like a night out or a West-end show, making knitting a cheaper and cost-effective form of entertainment. And finally:
  5. Complaining about the amount of my hoard of collectibles, may mean at some point I will start complaining about his hoard of collectibles, so it's better for him to keep his mouth shut.
"You do realise", he added, "that you can't get into your wardrobe for all the stash. How are you going to get to your clothes?"

"Erm... these are my clothes. They're just not finished yet".

"Babe, you need to knit faster."

Monday, 1 March 2010

Tuesday, 16 February 2010

WTF...?

He thought it would be funny.

He wanted to see the look on my face.

He bought me this for Valentine's Day.

He will pay - oh, yes, he will PAY!!!!!!!!!!

Tuesday, 9 February 2010

Eyte and Abite!

I love a day off, away from the mould in the bathroom, and the many other things at Hand Wash Towers. While the mould can be fixed, some other stresses never seem to go away.

So I travelled to Ealing, West London, to see an exhibition called "Beware of Embroidery", a collection of works by artists using embroidery as their medium.

While the exhibition it self was small, I should recommend it if only for the work of...no, I can't single out one artist, although I have my favourite pieces.

Laura Splan has two beautiful pieces, a fan and a hankerchief with embroidery designs based on the anatomy of the human eye. Sounds strange, but both pieces were quite delicate.

Tamar Stone created a series of books focussing on issues in womens' lives. The books themselves were created by embroidery and print on antique corsets, a metaphor relating to constriction, correction, appearance and especially assimilation, the need women have to fit in to certain situations - to be beautiful, a good wife and mother, and difficulties many face in trying to break free. Stone is also exhibiting a series of beds that should be seen. In both cases, I suggest that if you want to explore these two series of pieces, ask the gallery assistants if they are available, to show you the different layers/pages of each piece. It is so tempting to touch them, but please, don't.

Louise Riley might just be my favourite of the whole exhibition. Working with yarns, fabric, mattressess and even a tree, Riley created pieces that made me concentrate on the processes she uses and try to reconcile that with the images of society she presents. Her images are life sized, and in some cases it is necessary to take a step back so as to take it all in and not be swayed by the use of texture on texture and colours interweaved. Look for the installation Mother of Pearl, a mattress suspended by ropes in an ante room.

A short exhibition, but if you are interested in contemporary art, you might get something out of it. And, it is free.


Tuesday, 26 January 2010

Thank You!

My 13th Anniversary took me out and away on a lovely train journey to meet up with Studley for a long leisurely lunch, after which we took a little walk around a pleasant town with a charity shop selling these:

"The Complete Book of Traditional Knitting" Rae Compton
"The Complete Book of Traditional Aran Knitting" Shelagh Hollingsworth
"The Complete Book of Traditional Fair Isle Knitting" Sheila McGregor
"Traditional Knitting in the British Isles" Gwyn Morgan

Chuck in "Knitting in Vogue", volumes 1 & 2, plus a copy of "Mary Thomas's Knitting Patterns", all in pristine condition I might add, and I happily passed just under £25 to the salesperson. To heck with the fact that I already own three of the seven books.

And then I thought, "Oh, no, more books. He'll tell me off. He'll make me give them back!"

But I can't possibly. I rescued them. They're mine.

I struggled to Studley's side with my haul. I goo-goo eyed him. I told him the price.

"Babe," he said, with a twinkle in his eyes, "you've got some bargains there. Would you like me to help you carry them?"

What a treasure.